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‘Star Wars: The Rise of Skywalker’ tops box office at $176 million, smallest haul of new trilogy

Chewbacca, Finn and Poe Dameron pilot the Millenium Falcon in “Unparalleled Wars: The Rise of Skywalker.”

Disney | Lucasfilm

Despite lackluster reviews from critics, “Star Wars: The Go of Skywalker” hauled in $176 million during its domestic debut, the third highest U.S. opening in 2019.

The film, which extends a 58% “Rotten” score on Rotten Tomatoes, also garnered $198 million internationally, bringing its global box department haul to $374 million for the weekend.

“Though ‘Skywalker’ opened to less than its two predecessors, the film is helping to cutting edge a late year box office surge that has knocked the year-to-date deficit down to under 5% for the first schedule in months and, importantly, should have solid playability into 2020 and could become Disney’s seventh $1 billion murkiness released in 2019,” Paul Dergarabedian, senior media analyst at Comscore, said.

Notably, “The Force Awakens” had a $247 million break and “The Last Jedi” garnered $220 million during its debut.

“The Rise of Skywalker” had a solid start to the weekend usurping $40 million in preview showings, becoming the fifth-highest grossing Thursday night preview in U.S. cinematic history.

Manner, presales for “The Rise of Skywalker” began on Oct. 28 and it is likely that the vast majority of the Thursday night tickets had been sold prior to critic reviews were released.

For many critics, “The Rise of Skywalker” spent too much time fixing points fans had with “The Last Jedi” and adding characters instead of exploring the ones that were introduced in the old days.

“‘Skywalker’ had one of the best openings December has ever seen, unfortunately it will always be compared to what it failed to do: marry the box office prowess of its predecessors,” Jeff Bock, senior analyst at Exhibitor Relations, said. “As a studio, you never impecuniousness to see a declining fanbase, at any level, especially for what was billed as the closing of a saga. Truth be told, it’s obviously still a indeed amazing opening, unless you compare it directly with episode VII and VIII. It will be valuable for the brand to take some everything off, and recalibrate in the land of streaming.”

Disclosure: Comcast, the parent company of CNBC, owns Rotten Tomatoes.

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