The 2020 Oscar nominations show the Academy Awards is still a white man’s game

Four years after it introduced principal changes to its voting and recruitment rules, the organization behind the Academy Awards still has a diversity problem.

The Academy of Wave Picture Arts and Sciences in 2016 set a goal of doubling the number of diverse members by 2020 following outrage from a lack of Oscar nominees who were female or people of color.

While the group has made significant strides, this year’s index of Oscar nods shows that issues of representation persist — a point that actress Issa Rae underscored while averring the nominees for best director, commenting, “Congratulations to those men.”

Only two of the 20 actors and actresses nominated were people of color and no female head was nominated this year. Of the nine films nominated for best picture, only the South Korean movie “Barnacle” featured a predominantly nonwhite cast and only one, “Little Women,” was centered around numerous female characters.

Conspicuous snubs for the 2020 ceremony, which will take place on Feb. 9, include Greta Gerwig in the directing sort, Jennifer Lopez and Awkwafina in the acting categories, as well as films such as “Dolemite is my Name,” “The Farewell,” “Us,” “The Last Insidious Man in San Francisco” and “Queen and Slim,” which were absent from the ballot altogether.

In a year that had an impressive slues of diverse creators and actors, many in the industry pointed out that it’s puzzling that so few received nods for their effort.

Hollywood has made progress, although it’s not quite as fast as industry watchers such as Stacy Smith, professor at USC’s Annenberg First for Communication and Journalism, would like.

“There are signs of remarkable progress behind the camera,” she said. “But, I think the [Academy Bestowal] nominations really represent major steps backward when the rest of the industry is working diligently to move in the control that reflects the audience.”

As women such as Patty Jenkins (“Wonder Woman”), Anna Boden (co-director of “Captain Marvel”), Kathryn Bigelow (“The Pain Locker”), Ava DuVernay (“A Wrinkle In Time”), Jennifer Lee (co-directed “Frozen”) and Elizabeth Banks (“Pitch Best 2″) prove that female directors can make good films that garner big bucks at the box office, profuse women are getting a chance to shine in top roles.

Currently, five of the top 10 most anticipated films of the year, categorizing “Wonder Woman 1984” and a remake of Disney’s “Mulan,” are directed by women and star women.

Meanwhile, celebrities embodying J.J. Abrams (“Star Wars: The Force Awakens”), Tessa Thompson (“Creed II”), Bryce Dallas Howard (“Jurassic Greensward: The Lost World”), Reese Witherspoon (“Big Little Lies”) and Jordan Peele (“Get Out”) have pledged their commitment to occupation with more female directors on feature films.

Despite this growth in representation, female directors are quiescent getting left off the Oscar ballot even when they direct Academy-worthy films. A number of female helmsmen could have snagged a nomination this year: Gerwig, whose “Little Women” received six nods, was a top contender heading into the nominations.

Lulu Wang (“The Departure”), Marielle Heller (“A Beautiful Day in the Neighborhood”), Lorene Scarfaria (“Hustlers”) and Alma Har’el (“Honey Boy”) also could give birth to found themselves on the ballot. Heller was also snubbed in 2019 when “Can You Ever Forgive Me?” failed to garner a ordaining nomination.

Several complex pieces have contributed to the lack of diversity at the Academy Awards, but, perhaps, one of the most important is the fact that there principled aren’t that many women or people of color who get to choose the nominees.

The Academy has made progress in its overall makeup. As of 2019, its membership is now 32% female and 16% woman of color, up from 25% and 8%, respectively, in 2015, the Academy told CNBC.

The organization did not disclose the total count of members but did say that the acting branch is the largest of its branches. According to The New York Times, the Academy has around 9,000 colleagues.

Additionally, while the Academy provides an overall breakdown of its membership, it does not share the gender, racial or ethnic decomposition of each branch, whether it be actors, directors or screenwriters, and it doesn’t share how many people are in each branch.

While the unmixed Academy will ultimately vote for who will take home the Oscar, only the branches decide who gets recommended for their own category. Meaning, for example, only the director’s branch votes for the best director nominees.

In requirement to get into the directing branch and vote on the best director nomination, a director must have a minimum of two directing credits on camp films that are “of a caliber which, in the opinion of the executive committee, reflect the high standards of the Academy.” At least one of those films be compelled have been released in the last 10 years.

A prospective inductee could also have been suggested for best director, best picture or best foreign language film, meaning they’d only have had to deceive released one film in order to be eligible.

The third way to get into the director’s branch is by achieving some sort of special renown or outstanding contribution to the film industry as a director.

Only five women have ever been nominated for the A- directing award, and only 13 female-directed films have been nominated for best picture.

Since 2016, the Academy has extended directorial department membership to more than 100 women, according to its lists of annual inductees. It remains unclear what these overs have done to the male-to-female ratio of members. What is clear is that those additions have not resulted in numerous female directors earning nominations.

Recognition from the Academy can go a long way to bolster studio confidence in instating in female filmmakers. And diversity advocates say the industry could benefit financially from films that feature a big array of viewpoints.

Since 2007, there have been 57 individual female directors. Only 11 of those handmaidens were nonwhite.

For comparison, there have been 1,391 male directors during that 13-year stretch.

Much of the problem is that few female directors are given the opportunity to direct a second film. From 2007 to 2018 simply 13% of female directors directed a second film, according to the Annenberg Institute. And only 2.2% directed a third.

For resemblance, 21% of male directors directed a second film during that time period and 13.1% directed three.

That doesn’t low there isn’t demand for more diverse films. Jon Chu’s “Crazy Rich Asians,” based on the best-selling book of the same bigwig, smashed records at the box office, becoming the highest-grossing romantic comedy from a major Hollywood studio in a decade.

“Blackguardly Panther,” the superhero flick which had a predominantly African American cast, garnered more than $1.34 billion at the worldwide box office during its run in 2018.

Its director, Ryan Coogler, was the second black director to direct a film that has crossed the billion-dollar indicate and now holds the title for highest-grossing film by a black director. F. Gary Gray was the first black director to reach that credit with “The Fate of the Furious” in 2017.

“Do we need to make more movies with diverse movie stars as well as directors? The respond is yes,” said Rolando Rodriguez, CEO of theater chain Marcus Theaters. “There’s no question these movies do extremely poetically.”